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Rajat Bharmecha turned out a fine performance as the sensitive Rohan, but Ronit Roy, as the volatile patriarch, was this movie’s stone-cold heart. Vikramaditya Motwane’s sparkling debut introduces a father like no other in the movies – but like many we know in real life. Udaan He drinks, insists his own son address him as “Sir” and mocks the adolescent’s poetic ambitions. Through Rafiq, a failed militant who struggles to forge a new career as a photographer, Bashir creates an uncompromising psychological portrait of life in the crosshairs. Harud Actor Aamir Bashir returned to his roots for his directorial debut – an austere and deeply felt personalised account of the Kashmir autonomy struggle, which has been marked by untimely deaths, disappearances, and unbroken agony. Not included are the movies thrown up the festival circuit in 2019, including Eeb Allay Ooo!, Bombay Rose and Aise Hee, which are likely to be released in 2020. Here is our subjective list of the decade’s most memorable films, all of which have been released in theatres and are mostly available on streaming platforms. Others – several of them of them independently produced and circulating through the film festival circuit – chipped away from the margins. Many of these expressions emerged from the belly of the beast. Some of the decade’s most enduring films tackled knotty political, social and economic realities and created complex and not always likable protagonists. But at the very least, films as varied as Dum Laga Ke Haisha, Sui Dhaaga, Piku, Badhaai Ho and Bala exposed the faultlines within Indian families, and allowed for more nuanced expressions of masculinity and femininity.Īs Bollywood rolled out its share of feelgood cinema, there were enough feelbad films to remind us that pallbearers were walking alongside the cheerleaders. Sometimes, the quirkiness was an end unto itself, ironing itself out rather neatly in time for the closing credits. There was a surfeit of feel-good films, many of them playing out in eccentric families crammed with nags and naysayers. The rising success of Hollywood releases dubbed in Indian languages, especially effects-heavy superhero adventures, indicated that Indians have developed a taste for slick spectacle that local filmmakers are hard-pressed to match. Remakes of non-Hindi films filled the gap in imagination, even as Marathi, Tamil and Malayalam productions stole the march over formula-addicted Bollywood. Nepotism often seemed to be winning the day, but merit played a role too in floating newer talent to the top.įilmmakers in the 2010s learnt to make bigger (but not necessarily better) movies and maximise their box-office prospects by targeting their productions at pan-Indian markets ( Baahubali and its sequel did this best). There were more modestly budgeted movies with tighter scripts and great attention to characterisation a reduced reliance on lip-synced songs to convey emotions stories that unfolded beyond the metropolises unconventional romantic narratives new faces drawn from a wider pool. At least some of the elements in the mix were rejigged with lasting effect. The last year of the decade in Hindi cinema was bookended by an ultra-macho nationalistic film and a comedy about infertility treatment – perhaps a fitting summary of a ten-year period that should have been more fruitful, but wasn’t.įor Bollywood, the groundwork that had been laid in the 2000s was developed further between 20. Centre claims linking of Aadhaar to voter ID is voluntary – but bill in Parliament contradicts it.Kolkata civic polls: Trinamool Congress crosses majority mark with win in 89 of 144 wards.From English to Kannada to Kannada to English: Tejaswini Niranjana’s mirrored path to translation.Explainer: Why the move to link Aadhaar to voter ID cards is so contentious.Kerala HC dismisses plea to remove Modi’s photo from vaccine certificates, imposes Rs 1 lakh fine.Why Devdutt Pattanaik has attempted an Indian retelling of Jewish, Christian and Islamic lore.In Punjab, not everyone is celebrating the repeal of farm laws.One of the oldest surviving historical accounts of India was written by this Korean Buddhist monk.‘I curse you’: Rajya Sabha MP Jaya Bachchan responds to what she calls a ‘personal remark’.Comedian Munawar Faruqui performs in Mumbai with support from Congress unit.Gardens in India have surprisingly ancient and sprawling roots.From checks and balances to compliance: How the judiciary has responded to government pressure.